Blog

The official blog for author and illustrator Madyson Blair. 

In the Aftermath of New Beginnings...

    So it would seem that it's official now...I can hardly believe it's true...but I have graduated (with honours!) from Kendall College of Art and Design and earned my BFA in Illustration. Did those five years really just happen? I can't decide whether the time has passed by like a speeding car, crept by like a sneaky cat or meandered like a slug...I can't believe how time has flown and yet, all at once, freshman year does feel like ages ago. I feel that I stayed very much the same the whole time, while also drastically evolving. I have changed--but not into someone else--I have changed more into myself. I have become more of the person I always was. Even so, I know still have plenty more uncharted places left within myself to discover. The self is a circle, after all: it is whole yet infinite. That wholeness which is both complete yet boundless--that is what I strive for.

   My feelings of leaving Kendall, of course, are bittersweet--but more sweet than bitter. The future is uncertain and frightening, but I am relentlessly determined to embrace this new chapter of my journey. I am ready to fight the fight and struggle the struggle. I am ready to do whatever it takes to make my dream manifest as I have always imagined; to make that which is above like that which is below. I am still a student of the universe--a student of the earth and sky. The learning never ends.

     Here are some photos of my Senior Show and graduation. I am a bit nostalgic already...but also glad to be moving on to greater horizons. I have tons of new ideas I plan on capturing with images and words, and I'm extremely excited for the way my work is evolving and maturing along with me. As corny as this sounds, I've just got to say it: This is still only the beginning! ;)

The Grande Spectacle

Me with my display on the opposite wall

Channeling some classic Alastair drama

Channeling some classic Alastair drama

With my awesomely supportive parents

With my awesomely supportive parents

With my dad and brother--who apparently began sporting a Mohawk in the gust of wind...

Artwork to be Showcased During Kendall Student Exhibition!

         A large selection of my illustrative work (twenty-one pieces to be exact!) will be display at Kendall College of Art and Design from May 6-May 10. The opening reception is on the 6th from 4:00-7:00 PM. I will be showing on the second floor in room 212--come visit and check out all of the incredible artists and artwork from the graduating class of 2014! :)

        Here is a map to Kendall on Google.

       My two new pieces 'Love Me' and 'The Magician' will be making an appearance...

'Love Me' --A portrait of Alastair meant to capture some of the deepest aspects of his archetype and psychology.

'The Magician'--Symbolic-driven portrait of Ervine, Alastair's grandson and a major character in Book II.

...As well as some awesome free bookmarks! Come and get 'em before they're gone!

That Which Fuels the Fire

           I've been thinking about sprinkling in some more personal things here and there so that my blog is not only about my work and my story, but about me as a person as well. I just added some new content to my FAQ section in regards to this topic, and I'd like to share it here!

--Where do you get inspiration/ what sort of things inspire you?

           Music is an enormously powerful driving force behind my work.  Usually I'll become somewhat fixated on listening to a certain band, whereupon their sound becomes the temporary soundtrack of my life. Oftentimes, my fixation stems from an unconscious yearning to grasp an upcoming epiphany.  Just a few of my most common go-to bands for inspiration are Rammstein, Nine Inch Nails, The Birthday Massacre, Korn, Kamelot, Nebelhexe, Loreena McKennitt and Arcana. Films and shows such as Closet Land, The Dead Poets Society, Eternal Sunshine of the Spotless Mind, What Dreams May Come, The Green Mile, Eraserhead, Angel's Egg, Neon Genesis Evangelion, Hannibal and Bates Motel have been hugely inspiring. I have a weakness for anything that is both psychological and spiritual.

          Aside from music and movies, I garner inspiration from a variety of venues, most predominately nature itself (walks in the woods are essential) and antique stores. I adore vintage items that ooze a certain kind of mystery and nostalgia. I am especially compelled by kitschy deer figurines (I collect them!), mysterious religious ephemera, Venetian masks, old images of theatre or carnivals, anything Dionysian, tarot cards,  vintage children's storybooks and even 90s Pokemon cards. The archetype of childhood wonder is very fascinating to me--both individual childhood and the primordial childhood of mankind itself. I constantly devour books about alchemy, astrology, mythology, Jungian psychology, occultism and more.  History in general is an inspiration to me--Ancient times, Gothic, Renaissance, Baroque, Rococo, Revolution, Victorian all the way through the Great Depression and across the rest of the twentieth century. You name it, I'm interested. Every time period has its riveting charm and intriguing darkness.

--Who are your greatest influences?

          Intellectually, my biggest influence is the Swiss psychologist Carl Jung. I also enjoy Joseph Campbell, Richard Tarnas and Aleister Crowley. Artistically, my biggest influence is Mark Ryden. Mark has been an incredible source of inspiration for me and one which I have revisited over and over in much the same way that I tend to revisit my favourite bands. In addition to Mark Ryden, I am very fascinated by the surrealist low-brow art movement in general and the archetypes unconsciously expressed therein, including artists such as Ray Caesar, Nicoletta Ceccoli,  Laurie LiptonLori Early, and Eric Fortune. Greg Spalenka is another artist who has not only been an inspiration to me, but a great friend as well.

As far as the old masters go, the list is endless. Bosch, Bouguereau, Rubens, Fragonard--and later artists too like Magritte,  Ernst Fuchs and Norman Lindsay. Old alchemical/Hermetic illustrations are also exceedingly compelling to me, and I've been known to study them for hours. In 2013 I took a trip to Italy that changed my life, and stirred deep within my soul an utter fascination with the dreamy, enigmatic coexistence of Christian and Pagan imagery during the Renaissance.

         Writing-wise, I find my influences are harder to pinpoint. My writing style emerged through my studying the craft of creative writing more through the readings of short stories, many of which I can't recall the author. When I was a child, I adored Junior Great books and could marvel for hours at the deep, mysterious quality of the stories. Sylvia Plath has been quite an influence, as well as Virginia Woolf, e.e. cummings, Vladimir Nabokov, Charles Baudelaire, Oscar Wilde, William Shakespeare, Walt Whitman and certain elements of J.D. Salinger's unique dialogue and blocking. Also, my writing would not be what it is today if not for the help of my awesome mentor and fellow author, Adam Schuitema.

     To close off this post, I'll share some photos of my altar. I'm a very spiritual person, and aside from my work, there's no better way of visually capturing my essence than an image my own sacred space.


Two New Illustrations: 'Remembering the World' and 'The High Priestess'

 I finally got around to scanning my two latest pieces, 'Remembering the World' and 'The High Priestess'--both illustrations in which I wanted to utilise a more 'spring-like' colour palette in honour of winter's long awaited end! As usual, a lot of free unconscious expression was involved in the creation of these, along with some balancing intellectual decisions. The dreamy 'Remembering the World' is particularly derivative of the subconscious in that it takes an even further step in the direction of fantastical imagery and away from any literal interpretation of my novel series. It conveys the sublime relationship between the opposites as dissected in my books, depicted here in the reverse of my usual 'light in he dark'; examining instead 'the dark in the light.' My favourite symbol--the Oroboros (the snake biting its own tail)--makes an appearance to symbolise sex, death, rebirth and the paradoxical mortality and immortality of life itself.

  'The High Priestess' is my latest attempt at capturing Linkaiah's essence--(Linkaiah is a major character in the upcoming Book II.) Like 'Remembering the World' this piece also shows 'the dark in the light' but with more of an emphasis on character and narrative, seeking to exemplify Linkaiah's larger-than-life loathing of Alastair and her relentless desire to overthrow him in the story.

Clearly, I love to babble about the meaning behind my work, but as much as I love intellectual rambling (because let's face it, I'm a huge geek), I want the mystery and magic behind these images to reign supreme more than anything. Leaving room for the viewer's own interpretation is essential!

On the technical side of things, even though these drawings were both about the same size, 'Remembering the World' took me only two days to finish while 'The High Priestess' took me a week! Strange how varied the time is it takes to complete an illustration--it all depends on how many problems the artist runs into along the way, haha.

'Remembering the World'

'The High Priestess'

The Weather Inside now Available in Local Bookstore

It's extremely cool that Downtown Kalamazoo's very own Michigan News Agency (serving the community since 1947!) supports local authors--so I stopped in to see if they would sell The Weather Inside and they very quickly gave me a contract and stocked the shelves of their Creative Endeavors section with a few (signed!) copies to start. Awesomely, all of the money is returned to the authors. I'm thankful to live in such an enthusiastic literary community! If  you're interested or know anyone who might be, please come down and check it out or help to spread the word.  The books are $10.00 a piece. :) This is my first time having a book on the shelves of an actual physical store, so that alone is pretty exciting. It's the small steps that add up slowly into greater strides. I still have more plenty more bookstores yet to tackle!

Check out the Michigan New Agency's website at http://www.michigannews.biz/index.htm

Two Pieces to be Showcased in Art.Downtown

Friday, April 11 from 6-10 PM, my illustrations 'Entrance' and 'She's Not There' will be showcased in downtown Grand Rapids, Michigan, in the Craft House gallery for the Art.Downtown exhibition, Co=efficient, curated by my friend and awesome artist/writer, Emily Veldman. The two pieces will be display amongst a collective of other fabulous local artists. The Gallery's address is:

40 Division Ave S, Grand Rapids, MI 49503

Here is a link to the Gallery's location on Google maps: https://www.google.com/maps/place/Craft+House/@42.9619544,-85.6677736,17z/data=!3m1!4b1!4m2!3m1!1s0x0:0x586ba0faa32f4cd3

Come, my fellow art lovers, and join us! :)

'Entrance', 18"x24", coloured pencil

'She's Not There', 14.5"x20", coloured pencil

'The End of Emptiness'--Three New Illustrations Completed!

My  latest illustrations--a series of three pictures titled 'The End of Emptiness'--are finally finished! I'd say I experienced a bit of a creative breakthrough with these, and felt incredibly inspired during the entire process. With each new image I create, I strive continuously to express the archetypal essences which grip me both on an individual and collective level. I wanted to manifest something with universal appeal, and yet also something that managed to remain true to The Weather Inside as a piece of literature.  These images are particularly attuned to the themes expressed in Book II, but also capture the esoteric and psychological implications of the series as a whole.

There are numerous meanings at play here, most of which tap into my fascination with duality and the eternal dance of opposites. There is a fine line between ecstasy and pain, love and fear, and a transition from non-being into being which asserts itself upon the sublime merging of darkness and light. The implications are taken to a personal, darkly intimate and decadent level here; an appropriate archetypal plane for Alastair. The themes, among many, include the personal swallowing the impersonal, nothingness becoming something, the dissection of perfection, and the angel of cold eternity being digested into the theatrically flawed warmth of the world.

Act I

Act II

Act III



E-book now Available and New Illustrations on the Way!

I am elated to announce that the Kindle Edition of The Weather Inside Book I is finally available on Amazon for only $4.99 ! Creating an electronic edition is a huge step in the process of publishing these days, so I am relieved to have accomplished it at last.

In other news, I have reentered an intense illustrating mode and have begun working on several new coloured pencil pieces. I spent the past few months purely immersed in the writing and storytelling mode--as Book II demanded my complete and undivided attention--but now that it's well on its way to completion, I feet more than ready than ever to jump into my art again. My new illustrations will be very  Book II-focused and highly conceptual in nature. As usual, I am always exploring my unconscious to find new and intriguing ways to express the mystifying essences of the archetypes that fascinate me.  I will post some of my new sketches here--I'm extremely excited to see them come to life.

This journey continues to be an unrelenting struggle--but of course it is. Spiritually, I find myself increasingly in tune with my path and open to the strength and vulnerability necessary to achieve my bliss. I learn new things everyday about the universe within me and without me, and by this I am infinitely humble and wonder-struck. Childlike wonder, adult wisdom and overall patience is key.

The first sketch for a series of three symbolic and psychologically disquieting illustrations I'm working on.  The coloured version of this one is almost complete! The other two are below.

The first sketch for a series of three symbolic and psychologically disquieting illustrations I'm working on.  The coloured version of this one is almost complete! The other two are below.

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AlEatingAngelSketch3s.jpg
Although this illustration follows a similar theme as the other three, I consider it a separate concept. Gah...I realise now that I drew LInkaiah's head too all, haha--but that will certainly be fixed in the coloured version! I often make silly mist…

Although this illustration follows a similar theme as the other three, I consider it a separate concept. Gah...I realise now that I drew LInkaiah's head too all, haha--but that will certainly be fixed in the coloured version! I often make silly mistakes like that in my sketches..

There are plenty more sketches and ideas where these came from, but I'm going to be focusing primarily on this bunch for now. I will post the coloured illustrations when they're complete!

External Struggle vs. Internal Strength

I am at an interesting transitory stage of my life at present, where inner strength and balance are particularly essential. I feel as though I am adrift in a dark ocean, surrounded by the stars, floating at the horizon between heaven and earth. I am very alone--and yet there is an incredible spiritual power in this solitude. Trying to bring my book out into 'the world' has unquestionably turned the page of my existence to an entirely new chapter. There have been many high moments and many low--amazing breakthroughs and painful disappointments. Such is the way of the powerful play.

On the external side, many struggles abound which involve the dependability of others, something that is important, but something that I myself cannot solely rely on. At the end of the day, I am the only person who can truly hold myself up--myself and my soul--and I must maintain that inner stability to survive the toils of the outside world. Last month, I officially began my search for a literary agent. I have already received a few rejection letters, and am bracing myself for many more. The key to surviving disappointment is to never give up, and no one else can give me the power to endure all this--it is up to me.

I know that very few people will actually read this post. But that is all part of what I must overcome. I will post anyway, even if no one reads. Someday, someone will--but right now, what matters is that I am here for myself. My book is never going to get anywhere if I let my own spirit wilt.

On a lighter note, the writing of Book II continues to fascinate and tantalise me. I have experienced countless synchronicities (meaningful coincidences) in regards to the uncovering of characters, themes and plots. Constantly, I feel as if there is a sacred bond between the universe within me and the universe outside of me--as above, so below--and that bond is what opens the doors of the cosmos, what delivers and receives me, what fuels me and challenges me, inside and out. 

For this post I will include a sketch of Ervine, Alastair's grandson, who plays a major role from Book II onward. Like many of my characters, I have had Ervine since I was ten or eleven years old. Getting to write in his voice has been a marvelous experience--his narrative style is delightfully intellectual yet vivid, fun, cerebral and thought-provoking. I love the work I am doing--and that is the source which kindles itself eternally, overflowing independently from deep within!  

 In the spirit of the Dead Poet's Society, I would like to close off this post with a quote from the great Walt Whitman:

 

Oh me! Oh life! of the questions of these recurring,

Of the endless trains of the faithless, of cities fill’d with the foolish,

Of myself forever reproaching myself, (for who more foolish than I, and who more faithless?)

Of eyes that vainly crave the light, of the objects mean, of the struggle ever renew’d,

Of the poor results of all, of the plodding and sordid crowds I see around me,

Of the empty and useless years of the rest, with the rest me intertwined,

The question, O me! so sad, recurring—What good amid these, O me, O life?

                                       Answer.

That you are here—that life exists and identity,

That the powerful play goes on, and you may contribute a verse.

 


Into the Depths of Book II

   Though my life is still crazy with all of the new trials and tribulations involved in promoting a finished book, I have recently been able to go inward again and re-immerse myself in the creative process. The introspective side of writing is certainly my favourite part of the craft. The next section I plan to tackle in Book II has been fascinating to explore thus far. This is how I have always viewed the creation of my story--I do not feel as if I am inventing it--I feel as if I am exploring it and discovering something that is already there. For me, creating is about opening up to the universe within and without. As soon as I open myself up and allow the story to come through me and 'show' me how it wants to be told, that is when the magic happens.

  The section I am currently discovering revolves around a feisty anti-hero named Linkaiah. I have had this character for eight years now and I am FINALLY getting to write about her! She is going to be a major player from the middle of book II onward. It has been beyond intriguing getting to know her. she has definitely been the theme of my life these past few weeks.

One of my strongest methods of discovering things about my story and the characters therein is listening to music, visualising and channeling archetypes. There are usually certain bands that go with each character. In Alastair's case, for example, Rammstein and Arcana are my primary musical inspirations. For Linkaiah, Emile Autumn and Garbage have been the driving force of audio revelation!

I don't want to spoil anything, but for fun here are just a few little facts about this wayward girl (details withheld!):

--She is the leader of an underground anti-authority group.

--She spent the majority of her childhood locked up.

--She is an anti-hero and borderline villain, but cares deeply about the rights of young girls.

--She despises Alastair

--Her favourite colours are hot pink and neon green.

--Her spirit animal is an albino rabbit. 'Follow the white rabbit....'

First image shows new sketches of her. Second image is an illustration I did last spring called 'All Human Contact is Prohibited.'

I love her hair!

I love her hair!

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The Eternal Flame

In many ways, stepping far out of my comfort zone into the uncontrollable external realm has been a good thing.  Albeit I have always put myself 'out there' to a degree ( in the sense that I have always been honest and forthcoming about my passion), now that the book is completed, I find myself being caught in the violent wind currents of a new level of 'out there'. Unexplored territory awaits me in all directions it seems--and I am trying not to lose my bearings in the madness. Creating a web-presence has brought many positive things, but with all the hopes there inevitably comes fear. I am frightened because I care so much--frightened of failure, frightened of mistakes, frightened of disappointment--but I am beginning to find balance again.

  Trying not to care doesn't work for me. Apathy is not soothing. Instead, I will meditate upon the origin of my passions: why I began doing what I love to do in the first place.  When I think deeply and feel deeply the eternal flame within me, the strength overrides the fear. I realise  that there comes a burning point within my heart--a critical place where caring becomes more like a super power than a burden. And when I reach that pinnacle of love, I know that I will never, never, never, give up. 

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Overwhelmed yet Excited

Wow...these past five days or so have been absolutely mind-blowing. The amount of support that I've received on Facebook is unreal and I'm immensely grateful. Surreal might be an even better word to describe the way my life feels right now. It seriously seems like just yesterday I was still editing the book, fearing I would never get it done. Now, I've suddenly got a Facebook presence full of people who want to read it and 125 copies sitting right behind me, awaiting eager eyes. All of this is extremely positive and yet it still hasn't entirely sunk in...I feel a bit paralysed, to be honest. Overwhelmed is an understatement, but I'm going to push through.  I tend to expedience all of my emotions on an extremely deep level, but I'd choose emotions over numbness any day.  

Me looking paralysed, haha.

Me looking paralysed, haha.

The Journey Begins...

    After many years of writing non-stop, it's finally happened. My first book has been completed and published! I am well aware, however, that this is not an end, but a beginning. I feel as though I'm walking out of a cave into the glaring light of the outside world. Doing what it takes to get my book 'out there' (as they say), is going to be a long, uphill climb; but luckily I know myself. I know how absolutely stubborn and determined I am to make this happen. On a more vulnerable note, just because I'm determined doesn't mean I'm not scared out of my mind! But allowing oneself to be vulnerable is an essential part of obtaining one's bliss. I'm ready for this.

   As for some news, I have created a Facebook profile for myself and my book for the first time! (Yes--I said for the first time.)   

My Facebook 

The Weather Inside Facebook 

   I'll admit, I basically have no idea what I'm doing social media-wise, but I'll get the hang of it soon enough. This is going to be quite the learning process!

 

Me holding my freshly published book! I feel a lot happier in this picture than I look. I'm just a bit challenged when it comes to smiling for cameras.